A searing fusion of aural and visual, “Majestic Noise” brings together Sote's recent albums 𝘔𝘢𝘫𝘦𝘴𝘵𝘪𝘤 𝘕𝘰𝘪𝘴𝘦 𝘔𝘢𝘥𝘦 𝘪𝘯 𝘉𝘦𝘢𝘶𝘵𝘪𝘧𝘶𝘭 𝘙𝘰𝘵𝘵𝘦𝘯 𝘐𝘳𝘢𝘯 and 𝘔𝘰𝘴𝘤𝘦𝘭𝘴 for a future-facing plunge into the Tehran composer’s chimeric blend of traditional acoustics and club-adjacent experimentations. Transporting this rich medley from ear to eye is A/V composer and software designer Tarik Barri. 

Drawing on a deeply informed sound practice developed by fascination with dhrupad, long wire instrumentation, drone music, and phenomenological spectralism. Channelled through several years collaboration and inspiration via the composers Alvin Lucier & Phill Niblock, as well as his own work with mythical heavyweights Sunn O))), Stephen here presents a long form piece of microtonal, physical sound presented in more intimate and closer spaces.  Accompaniment by Kali Malone. Kali Malone (b. 1994) is an American-Swedish composer and musician based in Stockholm. Her compositions implement specific tuning systems in minimalist structure for pipe organ, choir, chamber music ensembles and electroacoustic formats.

Alejandra Cárdenas Pacheco (also known as Ale Hop) is a Peruvian-born artist, researcher, and experimental musician based in Berlin. Her body of work includes live shows, record releases, sound and video artworks, research on sound and technology, and original music for film, dance and theater projects. Her live performances merge the physical qualities of music with raw emotional states and unorthodox instrument procedures. She builds layers of sounds by blending a complex repertoire of guitar techniques processed by synthesis devices, to create a music of deep physical intensity. On Friday November 4th she will present the result of her residency at the Willem Twee Studio.

Petter Eldh was obsessed with Jazz, Classical, Soul, Reggae, Swedish folk music, Middle-Eastern and Hip Hop at an early age and collected vinyl since the age of 7. Long-standing collaborations include the following erratic and progressive forces: Django Bates Beloved (ECM records), Enemy (Kit Downes/James Maddren), Jameszoo, Otis Sandsjö (Y-Otis), Lucia Cadotsch Speak Low, Hayden Chisholm, Gard Nilssen, Peter Bruun, Christian Lillinger, Benoit Delbecq, Jonas Kullhammar and Kaja Draksler. Christian Lillinger started playing drums at the age of 13. In 2000, when he was 16, he was admitted to Hochschule für Musik Carl Maria von Weber. Since 2003 he has been living and working in Berlin. Collaborating with Craig Taborn, Joachim Kühn, Beat Furrer, Cory Smythe, Wadada Leo Smith, Barre Phillips, Miroslav Vitous, John Tchicai, David Liebmann, Mat Maneri, Tim Lefebvre, Peter Evans and many more.

Tristan Perich's (New York) work is inspired by the aesthetic simplicity of math, physics and code. The WIRE Magazine describes his compositions as "an austere meeting of electronic and organic." 1-Bit Music, his 2004 release, was the first album ever released as a microchip, programmed to synthesize his electronic composition live. His follow-up circuit album, 1-Bit Symphony, has received critical acclaim, called "sublime" (New York Press), and the Wall Street Journal said, "its oscillations have an intense, hypnotic force and a surprising emotional depth." The New York Times called his latest circuit album, Noise Patterns, “techno for silicon-based life forms.” 

Lolina is a producer and performer of electronic & digital music. Her recent release “Fast Fashion” is out on Deathbomb Arc. She has self-released: Who is experimental music?, Live in Geneva (both 2019), The Smoke” (2018), Lolita EP (2017), Live in Paris” (2016), RELAXIN $with Lolina” (2015). Lolina previously released music as Inga Copeland and was a member of the band Hype Williams between 2009 — 2013. Live performances include: Tune residency, Haus der Kunst, Munich; Le Doc, Paris; Ormside Projects, London; Arkaoda, Berlin; WWW, Tokyo; and festivals Le Guess Who? REDO, and Primavera Sound in Barcelona. 

No Choice Records houdt het graag spannend! Met een tot aan de rand gevulde bus vol muzikanten en kunstenaars uit Antwerpen worden door een onschuldige hand combo’s gevormd. Geen enkele deelnemer bespeelt zijn/haar/hen eigen instrument, en niemand weet op voorhand met wie men een combo vormt wat enkel voor toekomstmuziek kan zorgen!

Peter Zegveld is a visual artist and performer born in The Hague, the Netherlands. His visual art and music is both dynamic and theatrical using different forms of mechanica. The central topic in his work is the general human inability.

Tom Trago has long been one of the leading lights of the Dutch electronic music underground; a globe trotting DJ, producer, live performer and label owner who enjoys nothing more than championing both overlooked gems and fresh sounds from his own country. He once claimed that he felt a physical need to make music every day, and it’s hard to think of anyone whose immersion in music is quite as complete.

Russell Haswell is a restlessly forward-thinking, multi-disciplinary artist, performer and curator. With a background steeped in computer music, black metal, noise, techno and solo improvisation, his practice is renowned for broaching the extremities of visual and sonic arts. He’s performed in noted live and HDJ [hard disc jockey] actions with Aphex Twin, Gescom, Pan Sonic and Masami Akita (Merzbow), among others, and worked with Florian Hecker on Iannis Xenakis’ UPIC system in their Haswell & Hecker duo, whoseBlackest Ever Black LP is widely considered a milestone of modern electronic music composition.